Face Replacement with PFTrack, 3DS Max and Fusion
The first year of my time at Muse VFX was spent almost exclusively on the Disney’s Dog With a Blog. For those not familiar with the show, it’s about...
The first year of my time at Muse VFX was spent almost exclusively on the Disney’s Dog With a Blog. For those not familiar with the show, it’s about...
You’ve got the reel, you’ve been through the interviews, you’ve landed the job, and now you’re getting ready to start your first day at ...
One of my favorite things to experiment with in Fusion is its particle system. They are a fantastic tool to create things like smoke, sparks, and magic. Their u...
Just a small offering this time: The pin light mode from After Effects is a conditional operator. For every pixel in each channel, if image2 > 0.5, display t...
Muse VFX recently created visual effects for Robert Rodriguez’ From Dusk Till Dawn television series. The show involves a species of reptilian vampires wh...
Four years ago, I published a series of articles on job titles in the visual effects industry. I missed an entire class of people, though: The support personnel...
An acquaintance recently quizzed me about whether planar tracking could be used for flexible, organic subjects. The short answer is “yes, I do it all the ...
Stereo “3d” movies have made terminology a bit confusing recently. When I refer to 3d, I mean the virtual 3-dimensional Cartesian system that exists...
When you’re dealing with CG, there are two “art environments,” so to speak. There is the 3d world in which objects are modeled and animated, a...
A friend of mine recently asked for some guidance on getting into CG, and I wrote up everything I currently know on job titles and career paths. It seems like a...