OpenCL Fuses: Fuse Template and Structure
That Voronoi Fuse I documented recently is really slow, and there are quite a few features that I would like to add to it. Unfortunately, each new feature will ...
Personal projects and experiments.
That Voronoi Fuse I documented recently is really slow, and there are quite a few features that I would like to add to it. Unfortunately, each new feature will ...
Sometimes the effect demanded for a shot is more complex that what can be created in the compositor. Computer animated characters, sophisticated fluid and parti...
In the previous chapter, we created some fairly sophisticated behavior using expressions. Setting up such systems takes some time, though, and if you build some...
In my efforts to expand my capabilities in Fusion, and in visual effects generally, I have taken my first steps into the creation of Fuses. A Fuse is a custom t...
Thus far we have talked a great deal about how to integrate footage together, how to manipulate it, and how to cut it apart and sew it back together in a new co...
Painting clean plates is another task commonly assigned to junior compositors. While roto is an easy and tedious job, paint can be very challenging. Every shot ...
The creation of mattes from moving footage is a crucial, though sometimes tedious, part of making visual effects. It is a rare shot that does not require a matt...
The Viewer Panels Before we get into the lesson on Motion Tracking, let’s take a walk through more of Fusion’s interface. We have already had an ove...
The following article is a chapter in a forthcoming compositing textbook. There are references to chapters and appendices that have not yet been written. As tho...
It’s tempting when someone starts going on about LUTs and gamma and gamuts to let your eyes just glaze over and then ignore them until they go away...